Kids Creativity Sesh: printmaking

Monoprint by Ema Terry

Our kids creativity seshes for the last couple of weeks were about making monoprints with some different techniques and a small tabletop press.

The first week, we made monoprint plates with drypoint etching on plexi. After learning how to ink the plates and wipe them (leaving the ink only in the scratched lines) we added other ink colors and made painterly marks in the ink layer.

Monoprint by Ema
Monoprint by Ema

When the inked plates were ready, some of us added flat objects on top, like paper cutouts and pressed leaves or flowers to create collagraphs. The objects we put on top of the inked plates, left white areas on the monoprints (see the grasses on the print below.)

Monoprint "Blue Jay 2" by Maureen
Monoprint “Blue Jay 2” by Maureen

We used really good quality cotton rag paper soaked for a few minutes in water, then pressed dry. Then we ran our printing plates through the small press with the paper on top.

Monoprint by Adia
Monoprint by Adia

Here are some of the different drypoint monoprints we made. You can see that one etching plate is used to make many different designs. That’s why they are called mono prints.

 

Okay, so the next week we made two other kinds of printing plates.

No boring stuff in these kids creativity sessions!

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This time we didn’t scratch the designs into the plates. The first type of plate we made was a collagraph printing plate. You make these by gluing different things to a heavy cardboard surface to create textures. Then we coated the plates (objects and all) with a sealer and waited for them to be totally dry. The sealer keeps the ink from soaking into the cardboard and other objects we used to create out designs. Some kids used corrugated cardboard, stencils, grid fabric and paper cutouts to cover their cardboard almost totally with textures. Other kids left a lot of empty space on their cardboard plates and just made marks on them with ink and different tools such as their fingers, cotton swabs, brushes and rags.

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Monoprint by Lily
Monoprint by Silas
Monoprint by Silas

We tried using corn meal sprinkled onto area where we had painted glue. This worked pretty well to make a very different texture. In the blue monoprint (below) made by Jasmine, you can see the cornmeal in the sky. She wanted to show flower pollen blowing in the wind. In the black and white monoprint (above) by Silas, you can see very lightly sprinkled cornmeal made a cool texture near the top of his composition.

Monoprint by Jasmine
Monoprint by Jasmine

The other kind of plate we made the second week was plexiglass with hot wax applied to it by brushing and dripping. Then we carved designs into the wax with tools. The wax was easier to draw into than last week when we had to scratch with sharp tools into the hard plexiglass. We inked up the wax plates and ran them through the press with paper. Those came out kinda cool. Here are some examples of the waxed monoprints:

We hope you enjoyed seeing the results of our hard work and fun play in Maureen’s art classes. Most of these prints will be framed and on display in October when we have our 2nd Annual Young Voices art exhibit at 1+1=1 Gallery in Helena. Watch for news about that show! We’re all excited about it.

~ The Artful Kids of Kids Creativity Seshes

Art Camp for Two

Documenting our Discovery of Ladyslipper Orchids

Last week, my young friend, Grace and I invented our own “art camp.” She stayed with me for four nights and we had 3 full days of creative fun. I sure hope we get to do this a couple more times this summer. Hanging out with young people fills my cup, especially when they are as enthusiastic about life and learning and creativity as Grace is. It was super cool that we got to do so many projects and have some adventures just the two of us. Actually, it was three of us — Charlie came along too.

I promised Grace I would teach her how to make a blog post, so I am going to leave the DIY tutorials until she comes back for our next art camp. In the meantime, here are some photos of some of the things we did and made:

Butterfly Heart Swarm by Grace

Painted Tiles

Girl swinging Grace and Charlie

Documenting our Discovery of Ladyslipper Orchids

painted tiles

Chocolate Chunk Cookies with a Toddler Tweak

ShamanChocolateChunkCookies1-imp

My young friend, Meria was about 3 years old when I recorded her instructions for baking cookies. That was a couple of years ago.

She had just finished helping her mom make chocolate chip cookies and I asked her to tell me the recipe so I could record it. She was exuburant in the telling, to say the least. I love listening to her on this recording (translated below.) The other voices on the recording are mine and my friends voices, Brenda’s and Tiffany’s (Meria’s mom.)

If you have trouble getting the recording to play, try clicking the volume button on the right a couple of times. Also wait a second after clicking the start arrow — it takes a sec to load. 

Ready set go! First you roll roll roll. And you smash smash smash. The cookies are circles. And we make little pieces squish apart.

Fat cookies for big kids and fat cookies for big people. You don’t put m&ms, you put chocolate chips on them.

(Meria kept getting distracted by the needle on the recording device …)

After you make the cookies into circles, you make make make make, then put them in the oven. After they are in the oven you eat them!

(Bit of a discussion about sharing …) Let’s just share. Once I cook them, then I’ll share. I don’t share to boys. I share to girls. I’ll share with Mr. T (one of her favorite adult guys) I’m going to share with Mr. T! I’ll share with Gretchen, and you (Brenda) and you (Maureen) and mom and the new baby.

That’s how you make my cookies! — Meria

I made the cookies pictured above last week and offered them to gallery visitors over the weekend. They disappeared pretty quickly. My recipe is a slight variation on the traditional Toll House chocolate chip cookies. I add twice as many nuts (pecans) as called for in the recipe, decrease the sugar by 1/2 cup, triple the vanilla, add organic coconut flavoring and I use chunks of Extra Dark Shaman Organic Chocolate instead of chocolate chips. These are so scrummy.

Budding Artist

Ema Explains her Mixed-Media Technique

Ema Blue spends Wednesday afternoons with me at my studio. She is my unofficial “gallery assistant” and art student. She dusts Tim’s furniture, sweeps the sidewalk, takes Charlie for a walk, fetches me coffee from across the street, and makes lovely sidewalk chalk signs in front of the gallery. Ema is 11 years old.

Ema is meticulous, creative, precise, funny, cheerful, interested, respectful and persistent. I enjoy her company immensely and I truly look forward to Wednesdays.

EmaPainting4-imp

For the last few weeks, Ema has worked steadily on a mixed-media artwork. Inspired by the image transfers some of my women friends and I made during one of our Girls Art Nights, Ema started with some image transfers onto a canvas, then used water-soluble colored pencils and collage to complete her piece. I’m always impressed when a young person can sustain interest in a project over a period of days or weeks, and she did on this piece. She finished this one yesterday.

EmaPainting3-imp

I will write another post soon with my thoughts on the image transfer technique we used, and how to enhance the transfers with other media to create something lovely. Hope you enjoyed seeing Ema Blue’s artwork. Please let her know what you think/feel about her painting by leaving a comment below. Thank you!

Eating Dirt May Be Good For You

Izzy

For most of human history, people chased things or were chased themselves. They turned dirt over and planted seeds and saplings. They took in Vitamin D from the sun, and learned to tell a crow from a raven (ravens are larger; crows have a more nasal call; so say the birders). And then, in less than a generation’s time, millions of people completely decoupled themselves from nature. — Timothy Egan, NYT

When I was a kid, our typical day after school was finishing our homework, doing a few chores, then running outside to play. When dinner was ready, Mom called us in, we did our after-dinner chores than ran back outside.

We had forts in the woods, and forts in the blackberry brambles. Played kickball, kick-the-can, many variations of tag and hide-and-seek with a whole tribe of neighborhood kids. We captured fireflies in jars, investigated ant hills, caught crawdads with plastic cups, chased dragonflies and hunted snapping turtles in the creek (we didn’t hurt them.) We picked wild strawberries, blackberries and plums.

Elkhorn Creek in SummerWe raised a wild raccoon, lots of polywogs, a few caterpillars, two snapping turtle babies, some squirrel babies and a baby robin. Dug in the dirt, made mud pies, launched ourselves into the creek on rope swings, climbed very tall trees and adventured in the storm sewers. I loved lying on the big hill hear the cow pasture and just watching clouds. I had a secret place under a spiraea bush where I would lie on a blanket to read. Outside.

writing in nature notebooks

What adventure! Totally unstructured. I remember at some point longing to attend a summer camp because some of my friends were going, but I never did. I also didn’t have music or art lessons, extracuricular sports or academic tutoring. We just played (well, we did chores too.)

Life is different for little kids now. It makes me sad to think of how disconnected children are these days, from the natural world.

According to Richard Louv who wrote Last Child in the Woods, “Boys and girls now live a denatured childhood. What little time they (children) spend outside is on designer playgrounds or fenced yards and is structured, safe and isolating. Such antiseptic spaces provide little opportunity for exploration, imagination or peaceful contemplation…

Louv recommends that we re-acquaint our children and ourselves with nature through hiking, fishing, bird-watching and disorganized, creative play. By doing so, he argues, we may lessen the frequency and severity of emotional and mental ailments and come to recognize the importance of preserving nature” — Jeanne Hamming

Deer and Magpie in City Garden

Another excerpt from the book, “Last Child in the Woods:”

As a boy, I was unaware that my woods were ecologically connected with any other forests. Nobody in the 1950s talked about acid rain or holes in the ozone layer or global warming. But I knew my woods and my fields; I knew every bend in the creek and dip in the beaten dirt paths. I wandered those woods even in my dreams. A kid today can likely tell you about the Amazon rain forest—but not about the last time he or she explored the woods in solitude, or lay in a field listening to the wind and watching the clouds move. — Richard Louv

Help me organize my feelings ...

What can we, as teachers, parents, grandparents, and friends of children do, to make sure kids connect with the natural world and reap the benefits of unstructured outdoor, nature-based playtime?  Well, take some action. Any action. Here are 10 things:

  1. Here is an awesome list of resources and ideas, right here. Start with that.
  2. Next, download this guide, “Together In Nature.”
  3. Or … start by just getting outside. Anywhere outside.  With your kids. It doesn’t have to be in a wild place. Be random. Be playful. Let your kids lead the way. Explore. Be curious. Be refreshed.
  4. Splash in the rain.
  5. Go out at night with your baby in your arms.
  6. Take a nap with your child on a blanket in the shade.
  7. Grow some of your own food with your kids.
  8. Push for more nature-based education in schools.
  9. Help create green spaces in your urban community.
  10. Explore your city so you know where the natural places are.

And yes, eating a (little) dirt can be good for you — for your immune system and for the playful sprite inside every one of us.

Jaime-and-ema-imp

LINKS

 

 

 

 

Kids’ Arts Festival from the Perspective of a Docent

KidWorks 2014 at the Holter Museum of Art
KidWorks 2014 at the Holter Museum of Art
A circle of hands is how it felt for me, as I helped with KidWorks! alongside the volunteers, my fellow docents and staff of the Holter Museum of Art. We needed everyone to make it work.

Last Saturday, the Holter Museum of Art held KidWorks! — it’s 23rd annual arts festival for kids. What a blast!! I had an amazing opportunity to help put on this fun event and boy was it alot of work. Yet, when we opened the doors of the museum at 10:00 am, just like Connie, Judy, Sondra and Hannah told me, the festival took care of itself. A gigantic bulldozer of little kids and and their significant adults moved through the museum playing, delighting, learning, appreciating, thoroughly enjoying themselves and getting a messy education in the wonderment of art.

For me — as a docent — it was incredibly fun (I hardly stopped smiling except when I was concentrating,) extremely exhausting (the tables were set to little kid height and my back hurt like hell at the end of the day) but so, so fulfilling to share my enthusiasm about art with this many kids and their peeps.

I absolutely loved witnessing the diversity of approaches. Every child, has a unique way of seeing the world and expressing what they see! As docents, we have to Let Go of Results and Outcomes. Allow Mess. Delight in Oops. Multi-task-yet-Focus. Smile. Laugh. Make Eye Contact. Then. Clean. Up.

KidWorks 2014 at the Holter Museum of Art

Well … it seems at the Holter, “docent” is a fancy word for a volunteer who:

  • works really hard
  • has lots of fun with peers and with the public
  • stays longer than expected to clean up the mess
  • knows how to laugh and goof
  • loves to share his/her passion for the arts
  • gets training to use Visual Thinking Strategy in educational museum tours
  • has a lot of energy (enough to keep up with kids of all ages!)
  • has an awesome opportunity to guide kids, teens and adults in appreciating art through tours and hands-on activities
  • can think on her/his feet, improvising when necessary
  • doesn’t mind getting down and messy
  • knows that every individual’s experience and ideas are valid
  • helps organize and put on the biggest and best kids’ arts festival anywhere around
  • then watches the magic happen as our doors open to over 800 participants

that’s alot to pack into one 6-letter word!

KidWorks 2014 at the Holter Museum of Art

2014 KidWorks Festival of Arts at the Holter Museum of Arts

KidWorks 2014 at the Holter Museum of Art

The Holter docents I have the privilege to work with, are a diverse group: outgoing, intelligent, friendly and helpful to new members of the team. We are all willing to learn from our mistakes and educate ourselves continuously so we are the best “art guides” the Holter could possibly have. It helps that we have some docents who are great leaders — super organized and experienced. It also helps that the educational staff (Sondra, Aubrey and Hannah) are so enthusiastic about their jobs. I have about half of the skills I need, to be an amazing docent. I’m working on the rest. But boy, was it fun, fun fun to help make KidWorks! happen.

2014 KidWorks Festival of Arts at the Holter Museum of Arts

KidWorks 2014 at the Holter Museum of Art

KidWorks 2014 at the Holter Museum of Art

KidWorks 2014 at the Holter Museum of Art

2014 KidWorks Festival of Arts at the Holter Museum of Arts

KidWorks 2014 at the Holter Museum of Art

KidWorks 2014 at the Holter Museum of Art

KidWorks 2014 at the Holter Museum of Art

KidWorks 2014 at the Holter Museum of Art

KidWorks 2014 at the Holter Museum of Art

Sorry about the photo-intensive post today. I just couldn’t resist! There were so many sweet moments and precious connections made during KidWorks! that I can’t resist posting these. Below is a gallery with a few more images from the festival.

If you attended KidWorks, or volunteered at the festival, won’t you write a short (or long) comment to say how you experienced it? Thank you!

Fun Art Project with Kids: Wild Horses

Herd of Painted Horses

It’s Wednesday, the day Ema comes to assist me at 1+1=1 Gallery. Well, today was early release day from school, so I spent the afternoon with not one — but two — of my favorite young ladies, Ema and Adia. They are always up for an art project after we have our snack and catch up with each other: what’s new in school, what was the most fun you had so far today, what do you think about gardening together this summer, blah blah blah.

Today we made a small herd of wild horses patterned after Ann Wood’s beautiful stampede of horses. She provides a downloadable template for the horses, and a great tutorial so I’m not going to duplicate her wonderful instructions here. This awesome project took us about an hour and a half, including set-up and clean-up.

The horses are pretty easy, but not something I’d recommend for toddlers or really little ones (see adaptation ideas in list below.)

WildHorseHerd03-imp

Painted Wild Horse

Herd of Painted Wild Horses

Ideas to Adapt this activity for younger children:

  • pre-cut the shapes and have the children paint them. Then an older child or adult may assemble the horses
  • use scrapbook papers that are already decorated. Cut the shapes and let children glue the legs on instead of having them be articulated legs
  • use bendable brads instead of buttons and wire
  • Cut the shapes out of colorful card stock and have younger children brush glue on and sprinkle glitter

Ways to use/display the horses:

  • mount with tacky glue, double-sided tape or sticky-mounting-squares onto a foam core or poster board. 
  • display directly on a wall using mounting putty.
  • the horses don’t all have to be facing the same way.
  • arrange the horses on whatever background you are using, so they look energetic and dynamic
  • make a mobile of horses using fishing line to hang them.
  • use one horse, mounted with re-positionable double sticky tape, to make a greeting card. The receiver of the card can take the horse off to play with.

LINKS:

Here are a few more photos of what the girls and I made today: