Artist Date 2: Visit a Cemetery
Gesture Drawing with Clay
I want to introduce a friend of mine, a sister artist and one of the artists represented by my contemporary fine art gallery, 1+1=1 Gallery.
Trudy Skari is seriously cool
Trudy works intuitively, quickly, and with her whole body, heart and spirit. Her ceramic sculptures seem to come from some other-world, a dream world, a world of childhood memories or a place in nature that lives inside her. Having studied psychology, philosophy, then depth psychology and world religions, Trudy is greatly influenced by mythology and Creation stories from around the world. Her other influences are Joseph Campbell, Carl Jung and the open prairies of Montana.
Like someone who does gestural life-drawings from a model moving through quick poses, Trudy uses scraps and bits of clay to sculpt an implication of a flower … or the essence of a rabbit, bear, fox or dog.
She constantly learns new ceramic techniques and experiments to push herself and her art beyond the obvious. I love her work! I love having it in our gallery and looking at it — deeply — every day.
Each time I look at Trudy’s sculpture of the goddess, “Pele´ Eats a Fish,” I see some other aspect of the feminine, some other level of meaning. Trudy told me she was thinking of titling the piece “On Her Day Off Pele´ Eats Sushi.” This makes me think of how we all have different aspects of ourselves co-existing inside of us: masculine and feminine; adult and child; light and dark; serious and funny; out-there and in-here …
Wouldn’t a god or goddess also have co-existing personality aspects? Wouldn’t Pele´– goddess of volcanoes and all things explosive, also have a softer side when she’s taking the day off? And wouldn’t a softness also have a bit of harsh-reality tossed in for balance? So … on her day off, maybe Pele´ wears curlers in her hair, cooks (the spatula) and dives deep into her ocean world to catch and eats fish. She even looks fish-like. And so beautiful in an earthy, watery way.
Trudy Skari, Artist Statement:
I find that the objects I make are sometimes part of an unspoken narrative. Rather, they reside under or beside the formulated word or thought. At times the piece goes dallying around in some poetic realm and finishes sentences I was not aware I had uttered. The realm of image is forged in a different light than the realm of word. Like the visible spectrum the imaginal realm has a range that is just outside of the awareness to human senses but wide open to human insight, consciousness and our desire for making meaning.
Animals so are present in our understanding of how we navigate the environment, they protect us from our rigidity and ground us in our mammalian firmament. They are however always other, even if we anthropomorphize them to aid in our understanding. My attempt is to create an animal-ness that functions on a level of knowing and not knowing at the same time. It all works best when a balance is found between the gesture and the intent.
Trudy is represented in Helena, Montana by 1+1=1 Gallery. Her ceramic sculptures will be available for viewing during regular business hours at the gallery located at 434 N. Last Chance Gulch. Please call 406.431.9931 for more information about Trudy’s work.
More of Trudy’s artwork available at 1+!=1 Gallery. If you are interested in any of her pieces, call or email [email protected]
Ecology of the Unconscious
Introduction:
According to Haida cosmology, Raven called the ancient rain forest into being. The Haida and other indigenous peoples who depended on the resources of the forest and ocean, knew that without the forests, the plentiful salmon would not exist. They understood, because of their close relationship with Nature, the co-dependence of salmon and forest.
The Story of the Salmon Forest:
We know that forests keep the rivers and salmon populations healthy by cooling the waters and preventing siltation of the gravel beds where salmon spawn. But what about the other way around? Do the forests need the salmon? About 20 years ago, a team of scientists from UBC in Vancouver set about to check this hypothesis.
Studying the Ecology of the Salmon and The Forests:
The team of scientists studied the Tongass Forest in Alaska. With core samples of some of the oldest trees, the team correlated trees’ growth rates over hundreds of years with salmon run. Wide rings matched years the salmon were more plentiful. They also discovered the trees’ tissue contained Nitrogen-15, the rarer of two nitrogen isotopes. All of life has Nitrogen-14 in it. Nitrogen-15 however, comes from the oceans and is rare on land.
Nitrogen 15 is normally found in the Oceans:
How did N15 get into the trees so far from the ocean? The salmon brought it! How cool is that? The roots of the forest extend far into the Pacific Ocean.
Salmon are born inland, where they grow to fingerling size then migrate downstream to the ocean. They live most of their lives in the ocean, accumulating body mass (and N15) the whole time. Then, they head back up the original river/stream they came from, to spawn and die. The cycle begins again.
Guess Who Helps Spread N-15 Around?
The plentiful salmon are a rich food source for many animals, especially the bears and eagles. Bears in particular, like to take their huge salmon catch uphill where they can eat it without having to fend off other bears. They eat the guts and heads of the salmon, leaving most of the carcass on the ground. The carcasses are consumed by scavengers, insects, worms, bacteria and fungi. So, a kind of magic is happening here: the salmon carcasses become part of the forest, of the trees and animals, understory plants. The Trees are Made of Salmon!
I originally heard the salmon-forest story from my sister, an artist in Vancouver BC. I couldn’t get it out of my head. Salmon began appearing in my dreams. I started this body of work inspired by the story, and by the ways my unconscious transformed it into something meaningful in my own life.
What does the Salmon Forest have to do with the exhibit title, “Ecology of the Unconscious?”
Hmmm …
What is the Unconscious?
Our unconscious is the aspects of ourselves hidden to our conscious. Once we become aware of those aspects, we bring them into everyday life through our behavior, our responses to things around us … and they are no longer hidden.
And Ecology?
Ecology can be simply defined as the relationships between organisms and their environment. I set out with some pretty big questions, hoping to find answers. I am pretty sure I found more questions and not many answers. That’s okay with me though. Mystery is good. Wonder is a good thing.
So, how do Ecology and Unconscious Fit Together?
- What is our relationship with the aspects of ourselves that are normally unconscious? How do we become aware of those parts of ourselves … and how do we manifest the hidden gems in our everyday lives? How are our inner aspects reflected in our relationships with Nature and with everything around us?
- In Jungian psychology, water signifies the unconscious. So, rivers, rain, fog, the ocean … these are all different aspects of my unconscious self. Fish fly through the water. Birds swim through the air. These are messengers for me. Water links life and land together in an ecosystem. Water/Fish/Birds link my dream life to my waking life and help me understand both.
Humor Helps Us Understand and Go Deeper:
You will find my sense of humor in many of the pieces of this exhibit. I believe that if we approach our unconscious (our dreams) with a healthy sense of humor, it easier to understand. Visual puns are one of my favorite ways to convey an idea. And there are always more levels of meaning in any of my pieces, than what you see at first look.
Here are some details of the pieces in the exhibit plus a few more I didn’t feature above. In all, the exhibit included 21 pieces in this body of work. Thanks for looking! I would love to hear what you think. Comments are much appreciated! <3
Pain, Patience and the Patient/Physician Relationship
On Labor Day, 2014 I began a new documentary-style photo essay in collaboration with Dr. Mark Ibsen who owns Urgent Care Plus in Helena, Montana. We are telling a story with photos of his patients, of Mark and of his staff. We aren’t sure what the story will be yet — that will come when we see what the photos are telling us. For now, I am going to be spending time at the clinic and with permission from the patients themselves, documenting their time with this passionate, compassionate healer.
Watch my blog and my Brown Bird Studio Facebook page for progress on the photo essay, and for announcements of an exhibit which we hope to have sometime in the next few months.
Hands can tell so many stories just by themselves. Like eyes, hands are expressions of our history, our struggles and triumphs, our pain, sorrow and celebrations. Hands instruct. They argue. They heal, comfort and can hurt. Here are a few images from this week, from the first batch of photos that really pulled at my heart. I am curious what you think and feel when you see these images.
Thank you for looking and appreciating. I look forward to some dialogue about this project as we continue.
~ Maureen
1+1=1 Gallery is Moving – and having a Big Sale
Thank you to everyone who has become a collector of our art, who has come in to 1+1=1 Gallery to look, appreciate, help, buy, and just visit, get/give hugs. We couldn’t have done 11 months without you!
Now we are asking for your help and support again. This time we need cash flow to remodel our new gallery down the street.
Imagine one of my framed prints on a wall in your house … above the fireplace, in your dining room, or on a wall in your bedroom. Somewhere you can see it often, experience the symbolism and the personal meaning that only you get from living with a piece of art. Can you visualize it? Are you interested?
- Now you can purchase one of my prints — for the month of September only — at a big discount. All of the framed numbered prints we have at our gallery (see thumbnails or Flickr album link below) are on sale — 20% off just through September 30, 2014.
- The black stained all-wood frames are made by Tim Carney and professionally assembled by a local framer with glass, hanging hardware and archival mats.
- We are moving at the end of September to a bigger, better space at 434 North Last Chance Gulch. After we move, prices have to go up because our rent and all of our expenses are increasing.
- We take credit cards through Square and are willing to ship.
- Link to the album of available prints, with poetic descriptions, print and frame sizes.
- Come see the prints in person, at 1+1=1 Gallery, 335 North Last Chance Gulch.
Below are the available prints. We only have one of each on hand, so hurry! Please visit the above link to see more details.
Here are some pre-remodeling views of our new space:
1+1=1 will be open our usual hours until September 19th. After the 19th, we’ll have odd hours because I’ll be working with Tim (and whoever shows up to help) to remodel the new space. I can be reached by phone (431-9931) if you want to come shop at the gallery at 335 North Last Chance Gulch. I’d love to see you at either place. Or email me if you want to buy one of the prints. Thanks again for all of your support!
Love, Maureen
Collaborative Art Piece Benefits Teen Moms
The winning bidder of Girl Power generously donated the piece back to the Florence Crittenton Home and it is on loan to 1+1=1 Gallery to exhibit for the month of September. 1+1=1 will host an open house and artist talk on Sunday evening, September 7th. The gallery is located at 335 North Last Chance Gulch. I would love to see you all there — come down and enjoy some delicious food, beverages and great company.
Whew! Last week I finished Girl Power just in time for the benefit auction for Florence Crittenton. This year was the fourth annual Support Our Girls event in which businesses in Helena contribute whimsical and sometimes fancy “bras” to be auctioned off.
When Florence Crittenton began this event four years ago, I was still working there as the life-skills counselor for teen mothers. Together with the girls who were there at the time, I designed and made a bra for that first auction. It was absolutely beautiful and all of the girls who worked on it were proud of their ideas and contributions. Below are some photos of that very first art-bra, titled Sassy Girls, Marvelous Moms.
Anyway … this year, the benefit organizers invited four artists (in addition to local businesses) to create pieces for the auction. I was one of the featured artists. I created a piece based on the idea of empowering our daughters to be independent, strong, healthy individuals, thus the title Girl Power. It’s really about more than girl-power (read the artist statement below for explanation)
Girl Power
When Carrie asked me to make a piece for the Support Our Girls benefit auction, I immediately thought that instead of making a “bra,” I would like to make an art piece using a torso of a breastfeeding mother. In my mind I named it “Girl Power,” and although that name is whimsical, it is also serious.
Florence Crittenton holds young teen moms in supporting hands while they make critical life choices …. choices for themselves and for their babies. One of these choices is whether to breastfeed their babies or not. When it works out, it is one of the best gifts a mother can give to her newborn.
Yet, there are many other ways these young mothers rise above their often traumatic beginnings to become capable loving mothers. The Florence Crittenton staff delight in the girls, and hold high standards for them … expecting them to learn, explore, and be successful. Yes, these moms are still girls. They are still children. They are still learning as they raise their own children. It is an awesome miracle and so amazing to watch them as they mature, fall down, pick themselves back up again and hold their babies with love.
As I thought about all of this I wondered about Girl Power and what we, as parents and caring adults, can teach our daughters — teach all girls — to help them embody their own power. So they can live successful, happy, healthy lives and have strong loving relationships. I realized that no matter what we teach our daughters, we also have to teach our sons to be whole, happy human beings. It doesn’t work to lift up one gender and not the other.
So I asked my community of friends to contribute to this piece by telling me what they wanted to teach our children … our daughters and our sons. The response was amazing. I received over a hundred comments, many of them from former clients of Florence Crittenton. Reading through them brought tears to my eyes. I could not include every single thought I received in the piece, but I hand wrote as many as I could even inside the torso where you just have to imagine what I wrote. I hope you also feel the power. Girl Power. Boy Power. The Power of Love. And the Power of Connection.
The images and personal symbols in this piece come from my own experiences growing up in the 50s and 60s … of learning about and connecting with nature, and of finding my way in life. I believe that it is through a deep connection with all life, that human beings become fully human and truly powerful. I was privileged to work for almost five years as the life skills counselor at Flo Crit, and I hope that in my way I was able to teach the girls something of that connection.
~ Maureen Shaughnessy
Here are a few more photos showing details of Girl Power:
Everyone who comes to the open house on the 7th will have a chance to sign the back of the piece, and add your own thoughts to the text if you want to, and if your contribution didn’t make it onto the front of the piece (I tried to include as many as I could, but there were SO many comments from the community I couldn’t write them all on the front.)
See you on the 7th! (email me with questions: [email protected])