Threads of Continuity
Every time I begin working on a new series, I have mixed feelings. Being held by what I’ve already started mixed with being impelled by what I want to do next. Melancholy mixed with excitement. Curiosity mixed with worry. Delight mixed with feeling vulnerable. Do you ever feel that way when you start something new?
I haven’t yet exhausted my last series (The Mother Tree work) but I’m ready to keep growing and moving forward. I think to myself “I’ll go back to the Mother Tree or the Salmon Forest or the Ecology of the Unconscious.” Will I? Probably not — right now I’m exploring a new(ish) medium for me. My current mixed media pieces have a new look — still mine, but I think better. I love experimenting with materials, exploring different ways of putting marks on a surface, and new ways to express what wants to come out of me.
So, one of the questions I ask myself as I embark on a new series is, how does this have anything to do with the work I recently completed? Where is the thread of continuity between those other series and this one? I’ve been playing with printmaking for several years (in the big picture, that’s not long at all) and have barely started incorporating collagraphs, monoprints and relief printing into my mixed media paintings. Here are a couple of pieces that have some of my prints as part of the composition:
Right now, I’m playing with a small tabletop press (wishing it were alot larger.) I’m trying out techniques that are new to me, but fit my style and objectives perfectly. Chine colle´ is a way to use some of the paper scraps — prints, studies, watercolors, paintings and collage papers I’ve saved. I’m using the old textbooks and readers that have become familiar in my artwork, incorporating childhood motifs along with fish, birds and the occasional nuclear bomb or tree. My personal vocabulary of marks and shapes continues in my new pieces — spirals, circles, spheres, peculiar cross hatching, jabs, roots, geometric shapes and voluptuous strokes. And of course, I’m always passionate about Nature and that’s prominent in my new work: leaves, branches, grasses and other botanical images; water, waves, currents, raindrops; and animals both large and microscopic.
I’m curious to see where I go. That’s a great motivator. I’ll post more when I get something I like enough to say, “This is what I’m doing for the next show.” In the meantime, it’s just a direction.